Movie in slow motion magic

The algerian movie has long been entangled with its olds Arab inspired music hall film. Putting a sketchy one man show on stage was in need of a geniously made scenario .

With simple ornamented studio, i,e table and chairs the sketch hero can sounds up his voice with different characteres, going from simple citizen to an authority rep or any other figure. In this all out Music Hall landscape, the piano player, right behind the curtain, manning a drama like music air, could at any time be the lord master of the show.

In a Black and white romance like scenery, the audience, in quest of blowing up a large smile, take time to puff on cigarette, awaitin an happy ending of a star hugging kiss . All in all, being an artist wasn’t an easy game to play. A step by step move has indeed trigeret an awarness in coping up with overseas movie technology, During the revolution, the camera turned up to war filming action, it as the craddle of a revolution films. All charateres had then dressed up in battledress fighters, have learned how to move from revolution action to romance like camera glance.

The magic face of this actor’s studio likes in fact, in the hardships endured by a long colonial period. Plenty of new cineaste don’t come from Chorecgraphic and drama school. The very need of becoming a movie star is likely to meet with old fashioned “gone with the wind”  the American civil war, and the algerian movie  are two face of the same coin. Today things have changed, with some regret of not dreaming much. The cinema; keeps on losing down its magic in profit of big profits and political take take away. What if paddling back in seeing more than 1000 of cinema rooms reopens and make people in all smile.

Mohalmed Ben